Who hasn’t
experienced writer’s block? I struggle with it all the time. That’s partly why
I’ve begun this blog: to get myself into more of a habit of writing about
literature, so that it will hopefully start to come more easily when I work on
academic essays.
George Herbert has
several poems that address his anxieties or insecurities related to something
resembling writer’s block. One of these poems is “Dulness” (courtesy of www.ccel.org):
Dulnesse.
VVhy do
I languish thus, drooping and dull,
As if I were all earth?
O give me quicknesse, that I may with
mirth
Praise thee brim-full!
The wanton lover in a curious strain
Can praise his fairest fair;
And with quaint metaphors her curled
hair
Curl o’re again.
Thou art my lovelinesse, my life, my
light,
Beautie alone to me:
Thy bloudy death and undeserv’d, makes
thee
Pure red and white.
When all perfections as but one appeare,
That those thy form
doth show,
The very dust, where thou dost tread and
go,
Makes beauties here;
Where are my lines then? my approaches?
views?
Where are my window-songs?
Lovers are still pretending, & ev’n
wrongs
Sharpen their Muse:
But I am lost in flesh, whose sugred
lyes
Still mock me, and grow bold:
Sure thou didst put a minde there, if I
could
Finde there it lies.
Lord, cleare thy gift, that with a
constant wit
I may but look towards thee:
Look onely; for to love thee, who can be,
What angel fit?
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Herbert’s goal is
to write clever and fitting poems praising his Lord. He feels that it comes
easily to the secular poet to praise his beloved, so why can’t Herbert
experience that “constant wit” (last stanza) as well?
I’m not a poet,
just a prose writer, but I’ve often wondered the same. Why is it that I, who am
trying to write as if unto the Lord, not unto men, struggle so much to write
with cleverness? I’ve sometimes asked for the kind of inspiration, or “quickness”
(first stanza), that Herbert asks for here.
Let’s unpack his
images. In the first stanza, the poet imagines himself as like Adam before God
breathed into him the breath of life (Gen 2:7). He is “all earth” (just clay,
with no life yet) and therefore asks for “quickness,” life, inspiration in the
more complete meaning of the word (to have a spirit put into him).
Stanzas 2 & 5
complain about the secular poets, who can easily find ways to praise their “fairest
fair,” their lady loves. But “[w]here are my lines, then?” asks Herbert? After
all, as he explains in stanzas 3-4, he has a Lord who is “loveliness” and “beautie”
and “perfection,” especially because of his sacrificial death on the cross
(stanza 3).
Stanza 6 seems to
reveal the reason: the poet is “lost in flesh.” His inherent sin nature opposes
his attempts to praise his Lord. Significantly, this reference to our sinful
flesh comes in stanza 6, six being the number of man (imperfect, while seven =
completeness and perfection). “Sure Thou didst put a mind there,” muses the
poet. It’s just matter of finding it, right?
But only God can “clear
[His] gift”: the poet’s mind and poetic talent. Herbert ends with his noble
goal here: “that with a constant wit / I may but look towards Thee.” He desires
clarity of thought and clever wording so that he may write of God to the glory
of God, concluding with humility that he is not even “fit” enough to love God,
just to look upon Him.
Perhaps God blocks
us up sometimes in order to redirect our intentions, our goals, and draw our
focus back upon Him, keeping us dependent on Him for our talent and wit?
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