Who of us has not struggled with expectations in life that go unmet? My list
grows ever longer, ranging from prolonged singleness to my potential as a
scholar to my ability to cook a successful chicken dinner.
Herbert’s poem “The Pilgrimage” is about
unmet expectations and is presented in the form of an allegory. Here it is
courtesy of luminarium.org:
THE
PILGRIMAGE
by George Herbert
I travell'd on, seeing the hill, where lay
My expectation.
A long it was and weary way.
The gloomy cave of Desperation
I left on th'one, and on the other side
The rock of Pride.
And so I came to Phansies medow strow'd
With many a flower:
Fair would I here have made abode,
But I was quicken'd by my houre.
So to Cares cops I came, and there got through
With much ado.
That led me to the wilde of Passion, which
Some call the wold;
A wasted place, but sometimes rich.
Here I was robb'd of all my gold,
Save one good Angell, which a friend had ti'd
Close to my side.
At length I got unto the gladsome hill,
Where lay my hope,
Where lay my heart; and climbing still,
When I had gain'd the brow and top,
A lake of brackish waters on the ground
Was all I found.
With that abash'd and struck with many a sting
Of swarming fears,
I fell, and cry'd, Alas my King;
Can both the way and end be tears?
Yet taking heart I rose, and then perceiv'd
I was deceiv'd:
My hill was further: so I flung away,
Yet heard a crie
Just as I went, None goes that way
And lives: If that be all, said I,
After so foul a journey death is fair,
And but a chair.
by George Herbert
I travell'd on, seeing the hill, where lay
My expectation.
A long it was and weary way.
The gloomy cave of Desperation
I left on th'one, and on the other side
The rock of Pride.
And so I came to Phansies medow strow'd
With many a flower:
Fair would I here have made abode,
But I was quicken'd by my houre.
So to Cares cops I came, and there got through
With much ado.
That led me to the wilde of Passion, which
Some call the wold;
A wasted place, but sometimes rich.
Here I was robb'd of all my gold,
Save one good Angell, which a friend had ti'd
Close to my side.
At length I got unto the gladsome hill,
Where lay my hope,
Where lay my heart; and climbing still,
When I had gain'd the brow and top,
A lake of brackish waters on the ground
Was all I found.
With that abash'd and struck with many a sting
Of swarming fears,
I fell, and cry'd, Alas my King;
Can both the way and end be tears?
Yet taking heart I rose, and then perceiv'd
I was deceiv'd:
My hill was further: so I flung away,
Yet heard a crie
Just as I went, None goes that way
And lives: If that be all, said I,
After so foul a journey death is fair,
And but a chair.
Just to clarify, an allegory is, in the
rather cumbersome definition from Holman & Harmon’s usually helpful Handbook to Literature, “A form of
extended metaphor in which objects, persons, and actions in a narrative are
equated with meanings that lie outside the narrative itself. Thus it represents
one thing in the guise of another—an abstraction in that of a concrete image.”
Clear as Herbert’s “lake of brackish waters” (23), right?
Often, characters or places in an allegory
are named for the abstract quality that they represent. Herbert’s speaker here
passes through Fancy’s Meadow and Care’s Copse. Readers might be reminded of
Bunyan’s later Slough of Despond from Pilgrim’s
Progress.
Rather than a specific, smaller expectation,
this poem represents the speaker’s life as a journey, surviving significant
obstacles all in the hope of getting to the “gladsome hill” (line 19). There
the narrator has laid his hopes, he says, and his heart. He expects something
(we’re not told what)—a great reward, perhaps—something to make his “long . . .
and weary way” (3) worthwhile. What he does not
expect is to have this expectation thwarted.
Like Herbert’s speaker here, we probably felt
somewhat “deceived” (30), betrayed—by God, by a significant other, by the
travel brochure.
Herbert’s speaker picks himself up, dusts
himself off, and starts again: “taking heart I rose” (29). Yet the hill he
thought he was heading for, his end goal, the place that would make all the
hardship worthwhile (he hopes), is further still. There are more hardships
remaining for one exhausted from hardships already encountered.
What follows in the final stanza has always
been a bit ambiguous to me. Does “flung away” mean away from the original path
(that is, back or to the side somehow)? Or does “flung away” mean heave himself
forward to continue, though very disheartened? Regardless, the speaker is so
fed up with the difficulties of his journeying and especially the disappointing
of his expectations that he feels that death is better than continuing.
It’s rather a downer of a poem, to some
extent, as the main message seems to be that the Christian life is hard and
disappointing, and the afterlife will at least be rest (“a chair”). No trace
seems to be in this poem (although it is in several others by Herbert) of
Christ, who promised us in this world we will have trouble, but He has overcome
the world. Still, I find the reminder from this poem that we had better
re-adjust our expectations so that they’re His expectations to be a good,
albeit sobering, one.
(At this rate, it’s going to take a long, long time for me to
reach my “One Hundred Days of Herbert! I’m still going to try, though. One must
have some goal to reach for, however unattainable it might seem. As Robert
Browning wrote, “A man’s reach should exceed his grasp, or what’s a heaven for?”
Hmm, I’m teaching Browning this upcoming semester, so maybe more Browning later.
. . .)
Thanks for sharing, Jennifer. Your explanation helped me to understand his pain.
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